Black Writers, White Publishers

Marketplace Politics in Twentieth-century African American Literature

Author: John Kevin Young

Publisher: Univ. Press of Mississippi

ISBN: 160473549X

Category: Language Arts & Disciplines

Page: 230

View: 6575

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Jean Toomer's "Cane" was advertised as "a book about Negroes by a Negro," despite his request not to promote the book along such racial lines. Nella Larsen switched the title of her second novel from "Nig" to "Passing," because an editor felt the original title "might be too inflammatory." In order to publish his first novel as a Book-of-the-Month Club main selection Richard Wright deleted a scene in "Native Son" depicting Bigger Thomas masturbating. Toni Morrison changed the last word of "Beloved" at her editor's request and switched the title of "Paradise" from "War" to allay her publisher's marketing concerns. Although many editors place demands on their authors, these examples invite special scholarly attention given the power imbalance between white editors and publishers and African American authors. "Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature" examines the complex negotiations behind the production of African American literature. In chapters on Larsen's "Passing," Ishmael Reed's "Mumbo Jumbo," Gwendolyn Brooks's "Children Coming Home," Morrison's "Oprah's Book Club" selections, and Ralph Ellison's "Juneteenth," John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other. John K. Young is an associate professor of English at Marshall University. His work has appeared in journals such as "College English," "African American Review," and "Critique."

Amerikanische Literaturgeschichte

Author: Hubert Zapf

Publisher: Springer-Verlag

ISBN: 347600421X

Category: Literary Criticism

Page: 621

View: 3382

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Ständig wachsende Vielfalt der amerikanischen Literatur. Von den Puritanern bis zur Postmoderne beleuchtet das beliebte Standardwerk alle wichtigen Autoren und ihre Werke. Ausführliche Porträts der indianischen und der Chicano-Literatur, der afro-, jüdisch- und asiatisch-amerikanischen Literatur tragen dem für die Literatur Nordamerikas charakteristischen Phänomen der Multikulturalität Rechnung. Die 3. Auflage wurde um jüngste Entwicklungen ergänzt, wie z. B. die Literatur nach 9/11. Mit einem Kapitel zu Literaturkritik und feministischen Literaturstudien.

Contemporary African American Literature

The Living Canon

Author: Lovalerie King,Shirley Moody-Turner

Publisher: Indiana University Press

ISBN: 025300697X

Category: Literary Criticism

Page: 392

View: 3030

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In this volume, Lovalerie King and Shirley Moody-Turner have compiled a collection of essays that offer access to some of the most innovative contemporary black fiction while addressing important issues in current African American literary studies. Distinguished scholars Houston Baker, Trudier Harris, Darryl Dickson-Carr, and Maryemma Graham join writers and younger scholars to explore the work of Toni Morrison, Edward P. Jones, Trey Ellis, Paul Beatty, Mat Johnson, Kyle Baker, Danzy Senna, Nikki Turner, and many others. The collection is bracketed by a foreword by novelist and graphic artist Mat Johnson, one of the most exciting and innovative contemporary African American writers, and an afterword by Alice Randall, author of the controversial parody The Wind Done Gone. Together, King and Moody-Turner make the case that diversity, innovation, and canon expansion are essential to maintaining the vitality of African American literary studies.

The Crisis

Author: William Edward Burghardt Du Bois

Publisher: N.A

ISBN: N.A

Category: African Americans

Page: N.A

View: 6780

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A record of the darker races.

The Southern Register

The Newsletter of the Center for the Study of Southern Culture, The University of Mississippi

Author: N.A

Publisher: N.A

ISBN: N.A

Category: American literature

Page: N.A

View: 3852

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American writers

a collection of literary biographies. Supplement

Author: Leonard Unger

Publisher: N.A

ISBN: N.A

Category: Literary Criticism

Page: N.A

View: 4167

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Choice

Publication of the Association of College and Research Libraries, a Division of the American Library Association

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Best books

Page: N.A

View: 5433

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Gwendolyn Brooks

Author: Mildred R. Mickle

Publisher: Salem PressInc

ISBN: N.A

Category: Literary Criticism

Page: 406

View: 9075

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With her mastery of traditional verse forms and insightful treatment of race, Gwendolyn Brooks carved a unique space for herself within American poetry. This title offers an introduction that reflects on Brooks' legacy, locating her work as a bridge between the poets of the Harlem Renaissance and the poets of the black arts movement.

Book Review Index 2009

Cumulation

Author: Dana Ferguson

Publisher: Gale Cengage

ISBN: 9781414419121

Category: Language Arts & Disciplines

Page: 1262

View: 6634

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How to Revise a True War Story

Tim O'Brien's Process of Textual Production

Author: John K. Young

Publisher: University of Iowa Press

ISBN: 1609384679

Category: Literary Criticism

Page: 271

View: 2099

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“You can tell a true war story if you just keep on telling it,” Tim O’Brien writes in The Things They Carried. Widely regarded as the most important novelist to come out of the American war in Viet Nam, O’Brien has kept on telling true war stories not only in narratives that cycle through multiple fictional and non-fictional versions of the war’s defining experiences, but also by rewriting those stories again and again. Key moments of revision extend from early drafts, to the initial appearance of selected chapters in magazines, across typescripts and page proofs for first editions, and through continuing post-publication variants in reprints. How to Revise a True War Story is the first book-length study of O’Brien’s archival papers at the University of Texas’s Harry Ransom Center. Drawing on extensive study of drafts and other prepublication materials, as well as the multiple published versions of O’Brien’s works, John K. Young tells the untold stories behind the production of such key texts as Going After Cacciato, The Things They Carried, and In the Lake of the Woods. By reading not just the texts that have been published, but also the versions they could have been, Young demonstrates the important choices O’Brien and his editors have made about how to represent the traumas of the war in Viet Nam. The result is a series of texts that refuse to settle into a finished or stable form, just as the stories they present insist on being told and retold in new and changing ways. In their lack of textual stability, these variants across different versions enact for O’Brien’s readers the kinds of narrative volatility that is key to the American literature emerging from the war in Viet Nam. Perhaps in this case, you can tell a true war story if you just keep on revising it.

Signs and Cities

Black Literary Postmodernism

Author: Madhu Dubey

Publisher: University of Chicago Press

ISBN: 9780226167282

Category: Social Science

Page: 293

View: 727

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Signs and Cities is the first book to consider what it means to speak of a postmodern moment in African-American literature. Dubey argues that for African-American studies, postmodernity best names a period, beginning in the early 1970s, marked by acute disenchantment with the promises of urban modernity and of print literacy. Dubey shows how black novelists from the last three decades have reconsidered the modern urban legacy and thus articulated a distinctly African-American strain of postmodernism. She argues that novelists such as Octavia Butler, Samuel Delany, Toni Morrison, Gloria Naylor, Ishmael Reed, Sapphire, and John Edgar Wideman probe the disillusionment of urban modernity through repeated recourse to tropes of the book and scenes of reading and writing. Ultimately, she demonstrates that these writers view the book with profound ambivalence, construing it as an urban medium that cannot recapture the face-to-face communities assumed by oral and folk forms of expression.

The Fugitive Race

Minority Writers Resisting Whiteness

Author: Stephen P. Knadler

Publisher: Univ. Press of Mississippi

ISBN: 9781578065066

Category: Literary Criticism

Page: 249

View: 2706

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They created unsettling moments when white readers had to see themselves for the first time from the outside-in, or from the critical perspective of non-white writers. These writers - including William Wells Brown, Pauline Hopkins, Abraham Cahan, Younghill Kang, Zora Neale Hurston, and Arturo Islas - did not simply resist assimilation. They sought to dismantle the white identities that lay as the foundation of the master's house."--BOOK JACKET.

Black Americans 17Th Century to 21St Century

Black Struggles and Successes

Author: John H. Jordan

Publisher: Trafford Publishing

ISBN: 1490717331

Category: History

Page: 622

View: 7283

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This book is about the true history of black Americans, which started about the seventeenth century with indentured servitude in British America and progressed on to the election of Barack Obama as the forty-fourth president of the United States. Between those landmarks were other events and issues, both resolved and ongoing, that were faced by black Americans. Some of these were slavery, reconstruction, development of the black community, participation in the great military conflicts of the United States, racial segregation, and the civil rights movement. Black Americans make up the single largest minority in the United States, the second-largest group after whites in the United States. The Great Migrations, Underground Railroad and Abolitionist, Harlem Renaissance, the Civil Rights Movement, and Women in Black-American History.