F. Scott Fitzgerald's The Great Gatsby

Author: John Sutherland,Jolyon Connell

Publisher: Connell Publishing

ISBN: 9781907776014

Category: Literary Criticism

Page: 128

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When The Great Gatsby was first published, in 1925, reviews were mixed. H.L. Mencken called it “no more than a glorified anecdote”. L.P. Hartley, author of The Go-Between, thought Fitzgerald deserved “a good shaking”: “The Great Gatsby is evidently not a satire; but one would like to think that Mr Fitzgerald’s heart is not in it, that it is a piece of mere naughtiness.” Yet, gradually the book came to be seen as one of the greatest – if not the greatest – of American novels. Why? What is it that makes this story of a petty hoodlum so compelling? Why has a novel so intimately rooted in its own time “lasted” into ours? What is it that posterity, eight decades later, finds so fascinating in this chronicle of the long-gone “Jazz Age”, flappers, speakeasies and wild parties? It is, after all, scarcely a novel at all, more a long short story. But it has a power out of all proportion to its length. It is beautifully written, making it feel even shorter than it is, and is full of haunting imagery. It is also, perhaps, the most vivid literary evocation of the “Great American Dream”, about which it is profoundly sceptical, as it is about dreams generally. In the end, however, as D.H. Lawrence would put it, it is “on the side of life”. Gatsby’s dream may be impossible, so much so that the book can end in no other way than with his death, but up to a point he is redeemed by it and by the tenacity with which he clings to it. It is this that makes the novel so moving and so haunting.

Великий Гэтсби. Книга для чтения на английском языке

Author: Френсис Фицджеральд

Publisher: Litres

ISBN: 5457911748

Category: Foreign Language Study

Page: N.A

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Фрэнсис Скотт Фицджеральд (1896–1940) – американский писатель и сценарист, классик американской литературы.Предлагаемый читателям психологический роман «Великий Гэтсби» (1925) нравственно развенчивает безоглядное восприятие «американской мечты» – идеи социального преуспеяния личности.Неадаптированный текст на языке оригинала снабжен постраничным комментарием и словарем.

Fitzgerald's The Great Gatsby

A Reader's Guide

Author: Nicolas Tredell

Publisher: Bloomsbury Publishing

ISBN: 1441191933

Category: Literary Criticism

Page: 144

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Reader's Guides provide a comprehensive starting point for any advanced student, giving an overview of the context, criticism and influence of key works. Each guide also offers students fresh critical insights and provides a practical introduction to close reading and to analysing literary language and form. They provide up-to-date, authoritative but accessible guides to the most commonly studied classic texts. The Great Gatsby (1925) is a classic of modern American literature and is often seen as the quintessential novel of 'the jazz age'. This is the ideal guide to the text, setting The Great Gatsby in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception and examining its afterlife in literature, film and popular culture. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading.

New Essays on The Great Gatsby

Author: Matthew J. Bruccoli

Publisher: Cambridge University Press

ISBN: 9780521319638

Category: Literary Criticism

Page: 120

View: 6183

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Describes the novel's publication history and initial critical reception, and discusses Gatsby's themes, style, and place in American literature

Careless People

Murder, Mayhem, and the Invention of the Great Gatsby

Author: Sarah Churchwell

Publisher: Penguin Group USA

ISBN: 0143126253

Category: Biography & Autobiography

Page: 432

View: 1798

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Originally published: London: Virago, 2013

The Cambridge Companion to F. Scott Fitzgerald

Author: Ruth Prigozy

Publisher: Cambridge University Press

ISBN: 9780521624749

Category: Literary Criticism

Page: 272

View: 6021

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Eleven specially commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This volume offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work.

Shakespeare's Hamlet

Author: Graham Bradshaw

Publisher: Connell Publishing

ISBN: 9781907776601

Category: Literary Criticism

Page: 128

View: 1813

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In the four centuries since Shakespeare’s death in 1616, Hamlet has almost always been regarded as Shakespeare’s greatest play. This is not surprising. As Barbara Everett has observed, Hamlet was not only “the first great tragedy in Europe for two thousand years”; it was, and still is, “the world’s most sheerly entertaining tragedy, the cleverest, perhaps even the funniest”. The character of Hamlet utterly dominates the play he so reluctantly inhabits to a degree that is rivalled only by Prospero in The Tempest. Even when he isn’t on stage, speaking nearly 40% of the play’s text, the other characters are talking and worrying about him. This is the most obvious reason why Hamlet criticism over the years has been so Hamlet-centred: many critics, from Coleridge through to A. C. Bradley and beyond, see the play and its other characters almost entirely through Hamlet’s eyes. In this book Graham Bradshaw sets out to correct this. For in his view the play is no exception to – and indeed can be seen as an extreme example of – Shakespeare’s usual dramatic method, which was never to press or even reveal his own view on controversial issues like the divine right of kings or honour or ghosts and purgatory, but to “frame” these issues by assembling characters who think and feel differently about them. With Shakespeare it is hard, even impossible, to know what he thinks about (say) revenge or incest or suicide – and Hamlet’s view is often strikingly different from the views of those around him. If the doubts about whether the Ghost in Hamlet is the messenger of divine justice or a devilish instrument of damnation were ever finally resolved, the play would be diminished, or shrivel into a museum piece.

So We Read On

How The Great Gatsby Came to Be and Why It Endures

Author: Maureen Corrigan

Publisher: Little, Brown

ISBN: 0316230081

Category: Literary Criticism

Page: 352

View: 6153

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The "Fresh Air" book critic investigates the enduring power of The Great Gatsby -- "The Great American Novel we all think we've read, but really haven't." Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully comprehend its power. Offering a fresh perspective on what makes Gatsby great-and utterly unusual-So We Read On takes us into archives, high school classrooms, and even out onto the Long Island Sound to explore the novel's hidden depths, a journey whose revelations include Gatsby's surprising debt to hard-boiled crime fiction, its rocky path to recognition as a "classic," and its profound commentaries on the national themes of race, class, and gender. With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience the greatness of Gatsby and cuts to the heart of why we are, as a culture, "borne back ceaselessly" into its thrall. Along the way, she spins a new and fascinating story of her own.

Critical Studies

The Great Gatsby

Author: Kathleen Parkinson

Publisher: Penguin UK

ISBN: 0141932201

Category: Literary Criticism

Page: 144

View: 4397

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Kathleen Parkinson places this brilliant and bitter satire on the moral failure of the Jazz Age firmly in the context of Scott Fitzgerald's life and times. She explores the intricate patterns of the novel, its chronology, locations, imagery and use of colour, and how these contribute to a seamless interplay of social comedy and symbolic landscape. She devotes a perceptive chapter to Fitzgerald's controversial portrayal of women and goes on to discuss how the central characters, Gatsby and Nick Carraway, embody and confront the dualism inherent in the American dream.

Discoveries in Academic Writing

Author: Barbara Harris Leonhard

Publisher: Heinle & Heinle Pub

ISBN: N.A

Category: Foreign Language Study

Page: 258

View: 6779

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[This book] is a composition and grammar book designed for high-intermediate to advanced nonnative speakers at the pre-freshman composition level who are studying in intensive English programs or enrolled in non-credit composition courses at a college or university in the U.S. or Canada. Nonnative speakers in a high school level advanced ESL college-preparatory English class would also benefit from this book.... Because the target audience is nonnative speakers, the book addresses the requirements for English academic writing from a cultural perspective.... This book is designed to prepare nonnative speakers to develop and organize effective English academic essays. The rhetorical patterns that are covered include exemplification, classification, narration, process, comparison/contrast, and cause/effect. The book contains the following topics: critical-thinking skills; the process and product approach; the peer review process; sentence organization; study skills and aids; journal entries and writing assignments. -Pref.

Charles Dickens's Great Expectations

Author: John Sutherland,Jolyon Connell

Publisher: Connell Publishing

ISBN: 9781907776038

Category: Literary Criticism

Page: 128

View: 9388

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Great Expectations is one of the best-selling Victorian novels of our time. No Dickens work, with the exception of A Christmas Carol, has been adapted more for both film and television. It has been as popular with critics as it has with the public. In 1937, George Bernard Shaw called the novel Dickens’s “most compactly perfect book”. John Lucas describes it as “the most perfect and the most beautiful of all Dickens’s novels”, Angus Wilson as “the most completely unified work of art that Dickens ever produced”. Great Expectations has been so successful partly because it’s an exciting story. Dickens always had a keen eye on the market and subscribed to Wilkie Collins’s advice: “make ‘em laugh, make ‘em cry, above all make ‘em wait.” From the violent opening scene on the marshes to the climax of Magwitch’s attempted escape on the Thames, the story is full of suspense, mystery and drama. But while these elements of Great Expectations have ensured its popularity, it is also a novel which, as this guide will seek to show, raises profound questions not just about the nature of Victorian society but about the way human relationships work and the extent to which people are shaped by their childhoods and the circumstances in which they grow up.

Is Heathcliff a Murderer?

Puzzles in Nineteenth-Century Fiction

Author: John Sutherland

Publisher: Icon Books

ISBN: 1785783009

Category: Literary Criticism

Page: 208

View: 3221

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THE SUNDAY TIMES BESTSELLER IN A BRAND NEW EDITION 'Enchanting...the most engagingly boffiny book imaginable.' Spectator Does Becky kill Jos at the end of Vanity Fair? Why does no one notice that Hetty is pregnant in Adam Bede? How, exactly, does Victor Frankenstein make his monster? Readers of Victorian fiction often find themselves tripping up on seeming anomalies, enigmas and mysteries in their favourite novels. In Is Heathcliff a Murderer? John Sutherland investigates 34 conundrums of nineteenth-century fiction, paying homage to the most rewarding of critical activities: close reading and the pleasures of good-natured pedantry

This Side of Paradise

American Literature

Author: F. Scott Fitzgerald

Publisher: VM eBooks

ISBN: N.A

Category: Fiction

Page: 316

View: 9477

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INDEX BOOK ONE—The Romantic Egotist CHAPTER 1. Amory, Son of Beatrice CHAPTER 2. Spires and Gargoyles CHAPTER 3. The Egotist Considers CHAPTER 4. Narcissus Off Duty INTERLUDE May, 1917-February, 1919 BOOK TWO—The Education of a Personage CHAPTER 1. The Debutante CHAPTER 2. Experiments in Convalescence CHAPTER 3. Young Irony CHAPTER 4. The Supercilious Sacrifice CHAPTER 5. The Egotist Becomes a Personage

Economics

Principles, Problems, and Policies

Author: Campbell R. McConnell,Stanley L. Brue,Sean Masaki Flynn

Publisher: Asia Higher Education Business & Economics Economics

ISBN: 9789814575133

Category: Economics

Page: 984

View: 6174

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The Boy who Loved Books

A Memoir

Author: John Sutherland

Publisher: John Murray Publishers

ISBN: N.A

Category: Authors and publishers

Page: 261

View: 4643

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A memoir in the tradition of Lorna Sage's Bad Blood and Blake Morrison's When Did You Last See your Father? John Sutherland's childhood ended abruptly the day his father was killed at the beginning of World War Two - happily before he could kill any Germans. John's widowed mother fell in love with a new man and decamped to Argentina, leaving John to be looked after by various relatives - some more suited to raising children than others. It was an odd, unsettled childhood and John took refuge in books. He quickly learned how to fit in without disturbing people, and, in doing so, began to store up resentments as a child. These resentments, with the trigger of alcohol in later life, would one day explode - serially and for many years. The Boy Who Loved Books is an account of a disrupted childhood, but it is also an account of one man's often desperate love affair with reading matter. Books in many ways changed his life, propelling him to university, and sustaining him in the dark times that were to come. It is also a record of the shifting twentieth century and the profound changes that shook society and its ways of dealing with children in the institutions of family, school and university.

The Heiresses #1

Author: Allison Rushby

Publisher: St. Martin's Griffin

ISBN: 1250018455

Category: Young Adult Fiction

Page: 69

View: 3993

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Triplets—estranged since birth—are thrust together in glittering 1926 London to fight for their inheritance, only to learn they can't trust anyone—least of all each other. When three teenage girls, Thalia, Erato and Clio, are summoned to the excitement of fast-paced London—a frivolous, heady city full of bright young things—by Hestia, an aunt they never knew they had, they are shocked to learn they are triplets and the rightful heiresses to their deceased mother's fortune. All they need to do is find a way to claim the fortune from their greedy half-brother, Charles. But with the odds stacked against them, coming together as sisters may be harder than they think. Don't miss the other installments of Alison Rushby's exciting new e-serial novel The Heiresses: The Heiresses (Part 1), The Inheritance (Part 2), Secret Meetings (Part 3), Sisters Divided (Part 4), Mistresses and Mayhem (Part 5) and A Father's Sins (Part 6).

The Judas Child

Author: Carol O'Connell

Publisher: Penguin

ISBN: 1101458763

Category: Fiction

Page: 432

View: 4895

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It is three days before Christmas, and two young girls have disappeared from the local academy. This hasn’t happened for fifteen years, since Rouge Kendall’s twin sister was murdered. The killer was found, but now Rouge, twenty-five and a policeman, is forced to wonder: Was he really the one? Also wondering is a former classmate named Ali Cray, a forensic psychologist with scars of her own. The pattern is the same, she says: a child called out to meet a friend. The friend is the bait, the Judas child, and is quickly killed. But the primary victim lives longer...until Christmas Day. Rouge doesn’t want to hear this. He’s spent the last fifteen years trying to avoid the memories: drinking alone, lying low, washing out of school and a promising first career. Now he might abandon law enforcement too—but something won’t let him, not yet. A little girl has haunted his dreams all these years—and he has three days finally to put her to rest.