The Print Before Photography

An Introduction to European Printmaking 1550 - 1820

Author: Antony Griffiths

Publisher: N.A

ISBN: 9780714126951

Category:

Page: 560

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A landmark publication that catalogues the history and development of the printed image Gutenberg’s invention of moveable type made it possible to print letters. But images could only be printed using two other technologies that were developed alongside letterpress. One depended on wooden blocks which were cut and printed in relief, the other on copper plates into which lines were cut by engraving or etching and were printed on a rolling press.Copper-plate printmaking developed into a huge business employing thousands of people, and dominated image production for nearly four centuries across the whole of Europe.Its processes remained very stable, and a man of 1500 could have walked into a printing shop of 1800 and understood what was going on. During the nineteenth century this world was displaced by new technologies, of which photography was by far the most important.

Prints and Printmaking

An Introduction to the History and Techniques

Author: Antony Griffiths

Publisher: Univ of California Press

ISBN: 9780520207141

Category: Art

Page: 160

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Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.

Another World

Nineteenth-Century Illustrated Print Culture

Author: Patricia Mainardi

Publisher: Yale University Press

ISBN: 0300223781

Category: Design

Page: 304

View: 5581

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The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. Another World unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history.

Artists and Amateurs

Etching in Eighteenth-Century France

Author: Perrin Stein,Charlotte Guichard,Rena Hoisington,Elizabeth Rudy,Metropolitan Museum of Art (New York, N.Y.)

Publisher: Yale University Press

ISBN: 0300197004

Category: Art

Page: 231

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Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.

Print Culture in Early Modern France

Abraham Bosse and the Purposes of Print

Author: Carl Goldstein

Publisher: Cambridge University Press

ISBN: 1139505033

Category: History

Page: N.A

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In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects. The consummate print professional, Bosse persistently explored the endless possibilities of print – single-sheet prints combining text and image, book illustration, broadsides, placards, almanacs, theses, and pamphlets. Bosse had a profound understanding of print technology as a fundamental agent of change. Unlike previous studies, which have largely focused on the printed word, this book demonstrates the extent to which the contributions of an individual printmaker and the visual image are fundamental to understanding the nature and development of early modern print culture.

The Power of Prints

The Legacy of William M. Ivins and A. Hyatt Mayor

Author: Freyda Spira,Peter Parshall

Publisher: Metropolitan Museum of Art

ISBN: 1588395855

Category: Art

Page: 192

View: 5584

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Metropolitan Museum of Art curators William M. Ivins and A. Hyatt Mayor assembled one of the world's greatest collections of prints, from Renaissance masterpieces to popular and ephemeral works. Celebrating the power of prints not only as aesthetic objects but also as rich sociohistorical documents and peerless tools of communication, Ivins and Mayor expanded our appreciation of prints as the most democratic art form: functional, cost-effective works that disseminate information and bring pleasure to a wide audience. Their populist approach—collecting across the full spectrum of the medium, from the exquisite to the everyday, and writing about prints in accessible language—delivered prints from the province of scholars and collectors to the general public and transformed notions of how art reaches the masses. The first comprehensive exploration of the lives, careers, theories, and influence of Ivins and Mayor, this book also showcases more than 125 exceptional prints that represent the breadth and depth of their acquisitions, including works by Mantegna, Düaut;rer, Callot, Rembrandt, Goya, Whistler, Toulouse-Lautrec, and Cassatt. Included in this volume are biographical essays elucidating the two curators' achievements and catalogue entries that quote Ivins's and Mayor's pithy remarks about the featured artworks. The Power of Prints is a fitting tribute to the groundbreaking work of two scholars who revolutionized the study of a vast area of art history.

Graven images

the rise of professional printmakers in Antwerp and Haarlem, 1540-1640

Author: Timothy A. Riggs,Larry Silver

Publisher: Mary & Leigh Block Gallery

ISBN: N.A

Category: Art

Page: 203

View: 7988

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A Kingdom of Images

French Prints in the Age of Louis XIV, 1660–1715

Author: Peter Fuhring,Louis Marchesano,Remi Mathis,Vanessa Selbach

Publisher: Getty Publications

ISBN: 1606064509

Category: Art

Page: 344

View: 7195

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Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.

The Art of Philosophy

Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment

Author: Susanna Berger

Publisher: Princeton University Press

ISBN: 1400885124

Category: Art

Page: 352

View: 9625

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Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy. Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought.

The Chiaroscuro Woodcut in Renaissance Italy

Author: Naoko Takahatake

Publisher: Prestel Publishing

ISBN: 9783791357393

Category: ART

Page: 272

View: 1055

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"Published in conjunction with the exhibition The Chiaroscuro Woodcut in Renaissance Italy. This exhibition was organized by the Los Angeles County Museum of Art, in association with the National Gallery of Art. Exhibition itinerary: Los Angeles County Museum of Art: June 3-September 16, 2018 National Gallery of Art, Washington: October 14, 2018-January 20, 2019"--

Photography and Sculpture

The Art Object in Reproduction

Author: Sarah Hamill,Megan R. Luke

Publisher: Getty Publications

ISBN: 1606065343

Category: Photography

Page: 304

View: 7127

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Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.

Engraving and Etching, 1400-2000

A History of the Development of Manual Intaglio Printmaking Processes

Author: Ad Stijnman

Publisher: Hes & De Graff Pub B V

ISBN: 9789061945918

Category: Art

Page: 658

View: 2090

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This book surveys the history of the techniques of engraving, etching and plate printing – i.e. that of manual intaglio printmaking processes – from its beginning in the 1430s until today.

The 1668

The Year of the Animal in France

Author: Peter Sahlins

Publisher: MIT Press

ISBN: 1935408992

Category: History

Page: 492

View: 5345

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Peter Sahlins's brilliant new book reveals the remarkable and understudied "animal moment" in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France -- what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections -- in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats -- within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668 -- panthers and painters, swans and scientists, weasels and weavers -- in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.

Raphael, Dürer, and Marcantonio Raimondi

Copying and the Italian Renaissance Print

Author: Lisa Pon

Publisher: Berghahn Books

ISBN: 9780300096804

Category: Art

Page: 216

View: 1895

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In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Durer, Raphael, and Giorgio Vasari. She re-evaluates their work in the light of the tensions between possessive authorship and practical collaboration in the visual arts.

Jasper Johns/In Press

Author: N.A

Publisher: Hatje Cantz Pub

ISBN: 9783775732918

Category: Art

Page: 95

View: 9002

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Centering on the dutch wives, a double-panel encaustic-and-newsprint painting in the artist's signature 'crosshatch' motif, this catalogue explores the impact of print on the work of Jasper Johns. Also included are various prints and drawings that demonstrate the aspects of printmaking essential to Johns' work.

Prints in Paris 1900

From the Elite to the Street

Author: Fleur Roos Rosa de Carvalho,Phillip Dennis Cate,Anita Homan,Natalia Angeles Vieyra

Publisher: Mercatorfonds

ISBN: 9780300229134

Category: Art

Page: 192

View: 8436

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"No one pays attention nowadays to anything but prints; it's a rage, the young generation produces nothing else."--Camille Pissarro, 1897

The Rise and Fall of the Fine Art Print in Eighteenth-Century France

Author: W. McAllister Johnson

Publisher: N.A

ISBN: 9781442637122

Category: Art

Page: 424

View: 5112

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Sanctioned by France's Royal Academy of Painting and Sculpture and struck primarily in order to disseminate the works of the Academy's members, the eighteenth-century fine art print flourished only briefly. Yet it set into motion the interdependence of graphic and pictorial media. In The Rise and Fall of the Fine Art Print in Eighteenth-Century France, W. McAllister Johnson distills a lifetime of research into an essential study of this seminal phenomenon and chronicles the issues, decisions, and practicalities inherent in making copperplate engravings as articles of art and commerce. His exceptional erudition makes this an unparalleled resource for the study of visual culture and of all aspects of printmaking before the French Revolution.

How to Identify Prints

A Complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet

Author: Bamber Gascoigne

Publisher: N.A

ISBN: 9780500284803

Category: Antiques & Collectibles

Page: 208

View: 7712

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Arranged in self-contained sections the book simplifies accurate identification of any printed image. Included are manual methods, and also the mechanical processes that constitute the vast majority of printed images. Essential aspects of printing history and the printmaking craft are covered and examples are given of the identifying features that help to reveal the type of print.