Der silberne Schlüssel

Fantasygeschichten

Author: H. P. Lovecraft

Publisher: N.A

ISBN: 9783865522900

Category:

Page: 503

View: 6365

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Nach der zweibändigen CHRONIK DES CTHULHU-MYTHOS folgen mit DIE LAUERNDE FURCHT und DER SILBERNE SCHLÜSSEL H. P. Lovecrafts restliche Horror- und Fantasygeschichten. Diese vier Bände enthalten das komplette unheimlich-fantastische Werk Lovecrafts (abgesehen von Kooperationen mit anderen Autoren). Inhalt: Die Aussage des Randolph Carter - Der silberne Schlüssel - Durch die Tore des silbernen Schlüssels - Die Traumsuche nach den unbekannten Kadath - Die Strasse - In den Mauern von Eryx - Iranons Suche - Das Verderben, das über Sarnath kam - Polaris - Der Baum - Hypnos - Der Übergang des Juan Romero - Das Weisse Schiff - Celephais - Jenseits der Mauer des Schlafes - Die anderen GötterDie Katzen von Ulthar - Geschichten aus der Kinderzeit (7 bis 12 Jahre alt): Die kleine Glasflasche - Das Rätsel des Friedhofs oder "Die Rache des Toten" - Die geheime Höhle oder John Lees Abenteuer - Das geheimnisvolle Schiff - Parodien: Ibid - Old Bugs - Sonett-Zyklus: Saat von den Sternen (Fungi from Yuggoth) - Muriel E. Eddy: Erinnerungen an Howard Phillips Lovecraft Stephen King: "Der grösste Horrorautor des 20. Jahrhunderts ist H. P. Lovecraft - daran gibt es keinen Zweifel." Clive Barker: "Lovecrafts Werk bildet die Grundlage des modernen Horrors." Markus Heitz: "Die zahlreichen Geschichten rund um den Cthulhu-Mythos beinhalten für mich bis heute enorme Kraft und Wirkung ..."

H. P. Lovecraft and Lovecraft Criticism

An Annotated Bibliography.

Author: S. T. Joshi

Publisher: Wildside Press LLC

ISBN: 1592240127

Category: Literary Criticism

Page: 508

View: 1404

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This is Lovecraft scholar Joshi's definitive annotated bibliography to works by and about H.P. Lovecraft.

The Sonic Persona

An Anthropology of Sound

Author: Holger Schulze

Publisher: Bloomsbury Publishing USA

ISBN: 1501305484

Category: Music

Page: 272

View: 7621

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In The Sonic Persona, Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation: This book presents a fundamental critique concerning recent sound theories and their anthropological concepts – and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses. I'm going to prove the impossible really exists.

The Absence of Mark Manders

Author: Mark Manders,Stephan Berg,Kunstverein Hannover

Publisher: Hatje Cantz Pub

ISBN: N.A

Category: Art

Page: 278

View: 9596

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Overzicht van het werk van de Nederlandse beeldend kunstenaar (1968- ).

Terrifying Texts

Essays on Books of Good and Evil in Horror Cinema

Author: Cynthia J. Miller,A. Bowdoin Van Riper

Publisher: McFarland

ISBN: 1476671303

Category: Performing Arts

Page: 268

View: 7348

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From Faust (1926) to The Babadook (2014), books have been featured in horror films as warnings, gateways, prisons and manifestations of the monstrous. Ancient grimoires such as the Necronomicon serve as timeless vessels of knowledge beyond human comprehension, while runes, summoning diaries, and spell books offer their readers access to the powers of the supernatural--but at what cost? This collection of new essays examines nearly a century of genre horror in which on-screen texts drive and shape their narratives, sometimes unnoticed. The contributors explore American films like The Evil Dead (1981), The Prophecy (1995) and It Follows (2014), as well as such international films as Eric Valette's Malefique (2002), Paco Cabeza's The Appeared (2007) and Lucio Fulci's The Beyond (1981).